![]() Abigail coerces and threatens the others to "stick to their story" of merely dancing in the woods. The other girls involved in the incident join Abigail and a briefly roused Betty, who attempts to jump out of the window. ![]() At the Putnams' urging, Parris reluctantly reveals that he has invited Reverend John Hale, an expert in witchcraft and demonology, to investigate and leaves to address the crowd. Afterwards, the wealthy and influential Thomas Putnam and his wife, Ann arrive. Abigail denies they were engaged in witchcraft, claiming that they had been dancing. He questions the girls' apparent ringleader, his niece Abigail Williams, whom Parris has been forced to adopt after her parents were brutally killed in King Philip's War. Parris becomes concerned that the event will cause him to be removed from his position as the town's preacher. The village is rife with rumors of witchcraft and a crowd gathers outside Rev. The previous evening, Reverend Parris discovered Betty, some other girls, and his Barbadian slave, Tituba, dancing naked in the forest and engaged in some sort of pagan ritual. His ten-year-old daughter, Betty Parris, lies motionless. The remainder of Act One is set in the attic of local preacher Reverend Samuel Parris. ![]() The narrator speculates that the lack of civil liberties, isolation from civilization, and lack of stability in the colony caused latent internal tensions which would contribute to the events depicted in the play. The opening narration explains the context of Salem and the Puritan colonists of Massachusetts, which the narrator depicts as an isolated theocratic society in constant conflict with Native Americans. ![]() It is regarded as a central work in the canon of American drama. A year later a new production succeeded and the play became a classic. The production won the 1953 Tony Award for Best Play. Miller felt that this production was too stylized and cold, and the reviews for it were largely hostile (although The New York Times noted "a powerful play driving performance"). Marshall, Beatrice Straight and Madeleine Sherwood. The play was first performed at the Martin Beck Theatre on Broadway on January 22, 1953, starring E. Miller was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. Miller wrote the play as an allegory for McCarthyism, when the United States government persecuted people accused of being communists. It is a dramatized and partially fictionalized story of the Salem witch trials that took place in the Massachusetts Bay Colony during 1692–93. Dollhausen is a big reason why the venue’s been able to attract a consistent slate of artists and a loyal audience over the past few years, so here’s hoping they can fill her shoes adequately.The Crucible is a 1953 play by American playwright Arthur Miller. In other news, the Opera House announced on Facebook recently that longtime booker Christina Dollhausen will be leaving in August. Then there are acts outside the Americana realm who’ve become unlikely staples, especially, comedian Emo Philips, returning on April 1, 2017. They include Michael Perry in a spoken program on November 10, country veteran Marty Stuart on March 18, 2017, Duluth folk institution Charlie Parr on March 24, 2017, and bluegrass innovator Del McCoury on April 8, 2017. The Opera House has cultivated a lot of regular visitors over the years, and most of them are here. The Opera House sometimes adds a few shows during the season, and following its Facebook page is probably the best way to keep up with those announcements.Ī few big highlights jump out in the fall, namely singer-songwriter Nick Lowe in a solo-acoustic show on October 12 (I’ve seen him play acoustic before, mostly drawing on songs from his “ New Best-Of” period, and it’s really charming), trumpet-vocal power couple Herb Alpert and Lani Hall on October 14, and brilliant psych-folk eccentric Robyn Hitchcock on November 18. Recently we checked in on the financial state of the Stoughton Opera House, but what’s the outlook for actual shows there? The historic venue’s 2016-2017 lineup is now online, and it’s probably hitting your mailbox this week if you’ve attended shows there or made a donation before. Robyn Hitchcock will play at the Stoughton Opera House on November 18. ![]()
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